P.S. to my previous post about Paris -- I have found the photo I took while crossing the traffic circle around the Arc de Triomphe on foot. Here it is:
Now . . . Paris to Milan!
From Paris we took 4 or 5 days (I don't remember exactly how many) to travel to Milan by way of Strasbourg; Basel; Zurich . . .
| Limmatquai, Zurich |
. . . Lucerne, where we bought watches and other Swiss jewelry creations . . .
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| Harry Ruttimann's jewelry store, Lucerne |
. . . Lauterbrunnen (a Swiss village in the Bernese Alps with the magnificent 974-ft Staubbach waterfall, the highest free-falling waterfall in Switzerland) . . .
Lausanne; Geneva, where we drove by the Palace of Nations, home of the United Nations in Geneva and originally intended to house the League of Nations . . .
. . . Chamonix; then through the Mont Blanc tunnel into Italy.
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| Mont Blanc tunnel, Italian side |
Here's a map of our general route:
Somewhere along the way -- I think it was at the Grindelwald youth hostel (a very popular winter skiing and summer hiking destination) -- our itinerary intersected with the other group's. They had added the letters "US" to one of their van's rear windows with medical adhesive tape, so when we were departing the next morning (before they did), we added "SR" to the other rear window:
We didn't wait around to see their reaction, and of course the "SR" didn't last very long, but it was a fun prank . . . and we heard about it from them later in the trip.
I don't remember what time we finally arrived in Milan, but we didn't do much exploration because we had planned to stay only one night -- we were more interested in Venice. Milan is Italy's second-largest city, a major international center for industry, finance (the Italian stock market is located there), art, fashion, science, and music (La Scala opera house is there). Looking back on it now, it's clear that there was a lot more to see in Milan than we allowed time for.
Most of our time was spent in the Piazza del Duomo, where the magnificent Gothic Milan cathedral is located.
Construction of the cathedral began in 1386, and with an ever-changing parade of architects, engineers, and politicians, the building was about half finished by 1402. But construction stalled until 1480 due to lack of money and ideas, and changing political regimes. The work proceeded intermittently throughout the 16th through 19th centuries -- longer than Gaudi's now almost finished Sagrada Familia in Barcelona! -- and the last portal was inaugurated in 1965, a year before we arrived.
(For comparison, construction of the cathedral of Notre Dame in Paris began in 1163 and was substantially completed by 1260.)
Because of its contrasting styles (principally Roman and Gothic), the cathedral has been praised and panned. John Ruskin, the influential Victorian art historian and critic, said the cathedral "steals from every style in the world: and every style spoiled." In 1875 Oscar Wilde called it "an awful failure . . . it is, however, imposing and gigantic as a failure." But Mark Twain visited it in 1867 and in Chapter 18 of Innocents Abroad wrote "What a wonder it is! So grand, so solemn, so vast! And yet so delicate, so airy, so graceful! A very world of solid weight, and yet it seems . . . a delusion of frostwork that might vanish with a breath!"
Another Milan landmark that opens onto the same plaza as the cathedral is the Galleria Vittorio Emanuele II. It's a high-end shopping arcade built from 1865 to 1877 with an iron and glass dome covering broad pedestrian hallways.




















