Monday, October 10, 2022

"Zorro" at the National Hispanic Cultural Center - Albuquerque, NM

To create publicity photos for Opera Southwest's upcoming production of Zorro (October 23-30 at the National Hispanic Cultural Center in Albuquerque), last week I photographed César Delgado, Mexican-born tenor who will sing the title role. Here's a sneak peek at a few of the photos:

I've read the libretto, and it looks like it will be an exciting performance.  Tickets are available here.

The NHCC, where Zorro will be presented, is dedicated to the preservation, promotion, and advancement of Hispanic culture, arts, and humanities through exhibitions, lectures, performing arts (such as Opera Southwest), and education.  The campus includes three theaters, an art museum, a library, an education center, a genealogy center, a restaurant, and a designated New Mexico historic building.

To take advantage of NHCC's beautiful architecture, we did the photo shoot there.  While I was waiting for César to get into costume, I wandered around the Center's theater building and made some images.

Beautiful carved doors:

A great hall, from one end . . .

                                                           . . . to the other:

Vaulted ceilings with unique light fixtures . . .

A contemporary style outdoor plaza . . .

Then I started seeing more abstract details -- textures and shapes:

Even deterioration can be beautiful:

If you would like to see these images in a larger format, please visit my photography website, Todos Juntos Photography, by clicking here.


Monday, September 26, 2022

Lybrook Badlands Hoodooville


A few weeks ago my friend, Alan, and I explored an area of the Lybrook Badlands that we had never been to.  The Lybrook Badlands are in the same general vicinity as Georgia O'Keeffe's "Black Place."  They are a hodge-podge of mesa cliffs, arroyos, round hills of Mancos shale (like Black Place), rocky debris, and a scattering of hoodoos.

Alan and I have explored parts of the Lybrook Badlands on a couple of earlier trips; you can read about one of them here.  This time we were on the hunt for an area with a high concentration of hoodoos (rare in Lybrook) that we had read about online.  There was a trail in the AllTrails database, so we set out to follow it to Hoodooville.

From our research on sunlight direction, we wanted to get there for early morning light, so we left my house about 4:15am and arrived at the start of the trail map about 7:00am just as the sun was coming up over a distant mesa.  That location was at the end of a couple of miles of two-track, and also happened to be the site of an oil drilling rig -- of which there are many scattered throughout the Lybrook area.

This is not a hoodoo.

As the sun rose, the cliffs of a nearby east-facing mesa were bathed in beautiful "golden hour" light.

There was no marked or visible path, so we followed the AllTrails trail on a tablet up a narrow watercourse between hills of Mancos shale until we reached a very steep hill.  The trail map did not show the terrain, but at that point it looked on the tablet as if the trail went straight up that hill.  Yikes!

We couldn't believe that was right so we tried going around the hill.  The live GPS signal showed us we were veering off the trail, so we tried going around the hill the other way.  Again the GPS showed us going off the trail, but we kept climbing, figuring there must be an easier way.

We were wrong.

It soon became clear that the trail to Hoodooville was up at the top of the cliffs you see in the picture above.  Still we thought we could find a way up that wasn't as steep as the hill we avoided.  Here's the path we ultimately took:

From below, looking upward, here's what our option looked like:

Those rocks are about half the size of standard cinder blocks, and they were piled loosely on top of each other, so the footing was treacherous.  To climb, we had to bear walk on all fours all the way up.  Alan waited below and off to the side of the rocky area until I got to the top, to avoid any rocks I might dislodge.  The original route up that steep hill would have been easier . .  and safer!

Finally, we made it to the upper level and got back on the trail to Hoodooville.

The first hoodoo we encountered was a massive rock atop a short column of mudstone:

For scale, here's a view with Alan in the frame:

Most amazing, however, was the shape of the rock and how it was supported by that small column.  I can't believe it hasn't already fallen!

A hundred yards or so further on, another hoodoo appeared, looking like a giant hockey puck, or a cookie, on a pedestal at the edge of a cliff:

A bit further on we found another hoodoo precariously perched like the first one:

But the biggest and best were yet to come:

These hoodoos are not like the smaller, more graceful mushroom-style hoodoos of Ah-Shi-Sle-Pah.  These are giant slabs of mudstone topped by huge boulders of slate and shale.  There were even a few that looked like flying saucers:

Speaking of flying . . . I had brought my drone along to get some aerial views of the hoodoos and the mesa and valley below us.

Here's a portion of Hoodooville from above:

And here are some individual hoodoos from the ground and the air:

Eventually we had to make our way back down to the valley and the car.  We decided not to go down the way we came up, so we followed the AllTrails map back to that steep hill that intimidated us from the bottom.  Here's what it looked like heading down:

We drove back to Corrales, stopping for a delicious breakfast at Bobby and Margie's Cuban Cafe in Cuba, NM.  

After a long, early morning of driving, hiking, and climbing, there's nothing like a hearty breakfast of hashbrowns, scrambled eggs, and chorizo -- the New Mexico version of corned beef hash.

If you would like to see these and other images in a larger format, please visit my photography website, Todos Juntos Photography, by clicking here.


Thursday, August 18, 2022

Boom and Bust: Leadville, Colorado


Earlier this month, my friend Bruce and I traveled up to Leadville, Colorado, for a photography trip and respite from the hot weather in New Mexico.  Located in central Colorado about 77 miles southwest of Denver (as the crow flies), at an elevation of 10,152 feet above sea level, Leadville is always considerably cooler.

You've probably never heard of Leadville, but at one time in the late 19th century it was the second largest town in Colorado (next to Denver) because it was an incredibly productive mining boom town.  

Leadville was founded in 1877, barely a year after Colorado became a state.  Placer gold had been discovered in the area in 1859, and in 1874 miners discovered that the heavy black sand that clogged the sluice boxes contained large concentrations of lead and silver.  Thereupon, the silver boom began, aided significantly by the U.S. government's 1878 decision to purchase large amounts of silver to support the national currency.

By 1880 Leadville had nearly 30,000 people, gas lighting, water mains, 28 miles of streets, five churches, three hospitals, six banks, dozens of saloons and brothels, and schools for 1,100 students.  It all came crashing down in 1893, when the Sherman Silver Purchase Act was repealed and the Panic of 1893 hit.

Leadville recovered slowly in the early 20th century with the mining of lead, zinc, and copper.  Eventually, mining for molybdenum (used as an alloy for strengthening steel) became the primary extractive industry, but even that has gone through multiple boom and bust cycles.

Over the past forty years, Leadville has become a center for outdoor adventure tourism in the Colorado Rockies, featuring hiking, fishing, skiing, camping, and other activities.  The main street is dotted with coffee shops, bicycle shops, and restaurants appealing to the wilderness crowd.  Population of Leadville in 2020 was 2,639.

In 1966, seventy square blocks of Leadville's downtown area were designated as a National Historic Landmark, and many original buildings and houses are well-preserved.  Here are some examples:

Tabor Grand Hotel Building, built in 1883-85

Dearborn Hotel, opened in 1886

"The Old Church" (Presbyterian), built 1889

St. George Episcopal Church, 1880

Temple Israel synagogue, 1884

One of the most significant buildings in Leadville is the Tabor Opera House, which opened in November, 1879.  At the time it was said to be the finest opera house between St. Louis and San Francisco, a proud sign of culture and civilization in a frontier environment.

There are many stories surrounding the Opera House.  For example, the twenty-seven year old Oscar Wilde appeared there in 1882 on his transcontinental U.S. speaking tour, dressed in a velvet coat, silk  stockings, and lots of lace.  

Wouldn't you love to have been in that audience?!

The Opera House's namesake, Horace Tabor, was originally a shopkeeper who grubstaked a couple of miners who luckily struck it rich.  Virtually overnight, Tabor became incredibly wealthy, and invested in several other mining companies, including the aptly-named Matchless Mine, eventually becoming the equivalent of a billionaire in today's money.

Horace Tabor

Tabor became known as The Silver King.  He was elected Lieutenant Governor of Colorado and served very briefly (30 days) as an appointed United States Senator in 1883.

However, Tabor was seduced by his wealth.  After opening the Opera House in Leadville in 1879, he spent lavishly on an even bigger opera house in Denver, which opened in September of 1881, and lasted only nine years.  Tabor's more business-minded wife, Augusta, was unhappy with his profligate spending, and they became estranged, especially after Horace met a beautiful young divorcee, Elizabeth McCourt Doe, known as "Baby Doe," and fell in love with her in 1880.  He was 50; she was 26.

Elizabeth McCourt Doe ("Baby Doe")

Horace and Baby Doe were secretly married in St. Louis in September, 1882.  Augusta divorced Horace in January, 1883, and two months later Horace and Baby Doe were publicly married in a lavish ceremony at the Willard Hotel in Washington, DC, while Horace was serving as a U.S. Senator.  Baby Doe wore a white satin gown that cost $7,000, and a $90,000 necklace that originally belonged to Queen Isabella of Spain.  Some accounts say President Chester A. Arthur attended, but due to the scandalous circumstances of the marriage -- two divorced people -- many invitations were declined. 

The Tabors took up residence in Denver, but their fortunes began to decline in the early 1890s, and when the Panic of 1893 struck, Tabor was wiped out.  Horace moved back to Leadville and worked as a  common mineworker.  Baby Doe and their two daughters lived in a boarding house in Denver after selling off all their property and her jewelry.  To save them from total destitution, some of Horace's political friends arranged for Horace to be appointed postmaster of Denver in 1898.  Fifteen months later he died of appendicitis.

The remaining years of Baby Doe were even more tragic.  She and her daughters moved back to Leadville around 1900, where she took up residence in a former tool shed on the grounds of the once-productive but now exhausted Matchless Mine, which Horace had once owned, in hopes of restarting it.

Here's a photo of Baby Doe at the cabin in 1933:

Here's what the cabin looks like today:

According to the Wikipedia entry about Baby Doe, "she wandered the streets of Leadville, rags on her feet, wearing a cross, and came to be known as a madwoman. . . . She often walked the empty streets at night, dressed in a mixture of women's and men's clothing, wearing trousers and mining boots.  She protected the mine from strangers with a shotgun, and 'she became a sad spectre of Baby Doe to old-timers; a spectacle to the young.'"

During the winter of 1935, after an unusually severe snowstorm, neighbors noticed there was no smoke coming out of the chimney at the cabin.  They broke into the cabin and found Baby Doe dead, her body frozen on the floor.  She was 80 years old.

The story of Horace Tabor and Baby Doe has all the makings of a tragic opera -- a love triangle; happiness; death; a sad denouement -- and in fact it became the basis for an actual opera, The Ballad of Baby Doe, written by American composer Douglas Moore.  The opera premiered in Central City, Colorado, in 1956, and was performed in 1959 by the New York City Opera, with Beverly Sills as Baby Doe.  (I had never heard of Tabor, Baby Doe, or the opera until this trip.  For you opera lovers, click here for a video of Sills singing one of the arias from the opera.)

Baby Doe was also featured on the cover of "Life" magazine the same year (1959), touted as a legend among women of the mining West.

Needless to say, the mines around Leadville devastated the landscape and were all eventually abandoned, leaving collapsing structures . . .

dangerous open mine shafts . . .

and tons of toxic material of unearthly color:

In 1983 the EPA designated the California Gulch (Leadville) area as a "superfund" reclamation project, and since 1995 the EPA and other entities have conducted removal and remedial activities to consolidate, contain, and control over 350,000 cubic yards of soils, sediments, and mine processing wastes.  Clean up is about 90% complete.

In contrast to the environmental devastation surrounding Leadville, there's plenty of beauty in the Rocky Mountains.  On our way home, we took a brief side trip into a canyon near Mt. Princeton.

Lush forests of evergreens and incredibly tall aspens . . .

and of course a sparkling clear mountain stream great for fishing!

If you would like to see these images in a larger format, please visit my photography website, Todos Juntos Photography, by clicking here.