Contrary to beliefs held by some non-residents of New Mexico, it actually DOES snow in Albuquerque occasionally. Today was one of those occasions.
When we look out our back window, usually what we see is something like this: the Sandia Mountains, ten miles to the east across the Rio Grande valley . . .
But this morning, what we saw was this:
It snowed lightly all morning, and didn't amount to much in our neighborhood -- maybe an inch in places, mostly melting as it hit the ground. (We like it when we can see it but don't have to shovel it!) The ABQ airport, however, recorded 3.7 inches, an amount that had not been seen since 2007, and other parts of the city in the foothills of the Sandias got more.
Beneath its cloudy cloak, the mountain, too, was accumulating snow. Eventually, in early afternoon, the weather system began to move out and the mountain began to emerge:
Then, as the clouds moved in again, the last light of the setting sun illuminated the top of the mountain.
If you would like to see these images (and others) in a larger size, you can go to my photography website, Todos Juntos Photography, by clicking here.
Enjoy!
I am on the board of the Corrales Cultural Arts Council, a volunteer organization founded in 1988. The CCAC presents an annual series of eight general-audience concerts by world-class performers (ranging from classical to jazz to Celtic and folk) held in an 1868-vintage adobe mission church in Corrales.
In addition, CCAC provides a "Music in Schools" program to schools in Corrales and neighboring areas at no cost. The MIS program includes interactive music education as well as performances by some of the artists from the general-audience concert series, who come in the day before their concert to perform for the kids.
Yesterday, I attended (and photographed) the Music in Schools event with African-American singers Rodrick Dixon and Alfreda Burke (tenor and soprano). They are internationally-known performers whose repertoire includes opera, Broadway, spirituals, and popular music. They were also featured in a public TV program, "Hallelujah Broadway," distributed by American Public Television in 2010. You can read more about them here.
The venue was the Corrales Elementary School, where 250 2nd through 5th graders assembled in the gymnasium. The set-up was simple: an electronic keyboard, CD player, microphones, and speakers.
But for almost an hour Rod and Alfreda transformed the harshly-lit, Spartanly-decorated gym into a concert hall with a mix of show tunes ("Somewhere" and "Tonight" from West Side Story, "You'll Never Walk Alone" from Carousel), classical (short selections of German lieder, French chanson, and Russian opera), and popular songs . . .
. . . capped by a rousing audience participation version of the spiritual "Witness."
For an encore, they sang "Sing a Song" from Sesame Street and, in response to a request from the audience, the Barney song ("I Love You").
The kids were well-behaved, interested, and enthusiastic, and everyone had a great time!
If you would like to see these images (and more), visit my photography website, Todos Juntos Photography, by clicking here.
Enjoy!
A work of art occurs when imaginative energy is successfully contained
within a structure.
-- Michael Spiller
True freedom must be won within the confines of the rules.
-- Jean Cocteau
Back in the days before there were zoom and interchangeable lenses, cameras had only lenses with a fixed focal length. The most common fixed-length lens was a 50mm. Renowned photographer Henri Cartier-Bresson used a Leica camera with a 50mm lens for almost all his images. (Learn more about him here.)
Until recently, I had never owned or used a fixed-length lens with my SLR cameras; I had always used some sort of zoom lens. But I was interested in seeing what discipline a fixed-length lens would bring to my photography, so I bought a used 50mm; removed the big 18-135mm wide-angle zoom lens from my camera body; and put on the 50. After a few trial shots in the back yard, it was time to take it out for a spin.
I headed out last Sunday (Nov. 3) for Albuquerque's South Valley neighborhood, home of the annual Dia de los Muertos y Marigolds parade and celebration.
It's a wonderful event, tailor-made for photography . . . especially people photography. (See last year's post with images here.)
AAAACK ! ! !
With the zoom lens, my eye and my hand were an unconscious and smoothly functioning duo, framing shots with a flick of my wrist. But with the 50mm, I couldn't frame a shot by just twisting the lens. It's a fixed length; it doesn't zoom!
If I wanted to get a close-up, I had to really move in, to the point where my presence was obvious and I had to engage the subject, either verbally or by gesture, and indicate that I'd like to take their picture . . . no lurking and zooming in with the lens from afar.
And if I wanted a wide shot, I had to step back . . . and keep stepping back . . . which was a challenge, since I was operating in a crowded space with people constantly moving around and through the shot -- lots of photo-bomb opportunities.
In any case, with the fixed-length lens, I had to move my entire body: compose with my feet. It was an unsettling physical experience, and it took me a while to get used to it.
I've got lots of shots where heads or hands are out of the frame:
At first, it was maddening. But eventually I began to get the hang of it:
What I learned: the 50mm is good for close-ups and/or portraits, not wide shots in a visually busy environment (with a few exceptions; see below). So with a little practice, things got better.
Solo shots . . .
Pairs . . .
And, with a little creative positioning on my part (sitting on the ground, as I frequently do!), even a threesome . . .
By the end of the day, I understood the close-up "rules" of the 50mm lens and was winning my freedom to create some images I liked (as above).
I also learned that rules can be broken under certain circumstances . . . as with these wide shot exceptions (and a little help from Lightroom):
If you would like to see these images (and more) in a larger format, you can visit my photography website, Todos Juntos Photography, by clicking here.
Enjoy!
Each fall in the Village of Corrales the big event is the Harvest Festival, which happens at the end of September. But the spirit of the festival lives on for another couple of months in the form of the pumpkins at all the grocery stores and farm stands . . .
. . . the changing colors on the farms and along the irrigation ditches from the Rio Grande river . . .
. . . and the local corn (maize?) maze:
But perhaps the most charming elements are the scarecrows stationed up and down the main drag, Corrales Road.
The scarecrows are usually associated with businesses along the road . . .
but some are put up by individuals and/or homeowners.
Some are generic;
some are intended to depict specific people;
and some are doing triple duty for Harvest Festival . . .
Halloween . . .
and Dia de los Muertos (coming up next week).
But they are all wonderful reminders of why we enjoy living here.
If you would like to see these images (and more) in a larger format, visit my website, Todos Juntos Photography, by clicking here.
Enjoy!
